Showing posts with label blog hops. Show all posts
Showing posts with label blog hops. Show all posts

Saturday, 28 September 2013

Sequintastic September 2013





It's finally here, my sequintastic post. Many things have come in the way. First I was ill and unable to dedicate much time to creating, then I almost forgot about the hop because I was ill for so long and then yesterday I got the dates mixed up so while I had taken all the photos, I never got as far as culling, editing and writing a post about it. But now it's finally here!

Because I was unable to make a finished piece, but really didn't want to withdraw from two blog hops in a row (had to bow out of the cabochon challenge), I figured I'd instead write a bit about what I'm doing right now. At the moment I'm at the planning stage, sketching on a bead embroidery piece using some of my newest sequin flowers. Not yet having decided on a design, it's all been about trying to combine the different components in various ways to find something I like. Below you will see glimpses from this creative process.

(By the way, I don't know how the photos look on your monitors, but for some reason the white backgrounds change colour on my monitor when I upload them to Blogger. Really annoying and I only hope it doesn't look as bad on your computer as it does on mine...)




The first thing I did was to gather the beads and sequins I wanted to use for my design. I started with the flowers and then the beads pretty much added themselves. They were bought on a separate occasion and never really intended to be used with the sequins. The baroque seed beads from Miyuki were bought because they were new and I was dying to see them IRL. Chose the three colours I liked the best and two of them just happened to match the flowers. Similar thing with the twisted bugle beads. I never used that kind of beads, but I was curious about the gold antiqued matte finish and I could only find that in this bead type. Again, just a coincidence that they happened to go with the flowers and pearlescent big seeds. Lastly, I added the dark leaf sequins (purchased the same time as the flowers).

The beads picked themselves you might say. But now the question was what to do with this mix of components. First I just began by combining them in simple designs that would work just as well as strung or linked jewellery as embroidery borders. After all, just because I want to embroider doesn't mean the components want something else.








My first ideas for Sequintastic September when I signed up had been about using the flowers for a simple but cute necklace. While it was now set aside for this new idea about an embroidery (of some sort), I still wanted to test a few design ideas. And as said above, they could also work in an embroidery.




Sidestepping the chronology I'm trying to follow in this post, I also ended up testing what the flowers would look like doubled. Something I didn't think about before doing the experiments below where the sequins ended up nestled in one another.




I also had to test what the baroques would look like as flower centres. An idea that popped up pretty much for the same reason as above. The beads tried it themselves first. They are a tad too big, though. Unless flower is transformed into a ring of sepals and the baroque bead becomes a berry. Like, say, herb paris (Paris quadrifolia, ormbär). The first version would be great for something like that, though perhaps with another, more round, bead.







After the first little tests of combining components in different ways, it was onto thinking about the over all design. I had no idea what I wanted to actually do beyond using the flowers and then add matching beads to support them. So what do you do after you've poured out all the sequins and beads for a "group shot" (see initial photo)? Well, why not just mix them up and play with them?

I scooped them up, poured them out and took photos from different angles. Then I mixed them and spread them out in a new way, took more photos and repeated.




 I had taken a brown beading foundation and "antique gold" tulle with me and I tried the beads on that as well as on the white photo background. Unfortunately, the tulle didn't really feel as golden and metallic as I wanted against the sequins and beads. This photo session wasn't just about finding inspiration for my design, it also taught me I have to find another foundation to bead on. One that will truly complement the components as this looks like a bead embroidery where the surface isn't encrusted with beads/sequins but one where the surface will be an important and visible part of the design.













Maybe it's the autumnal colours, maybe it's the season -- or maybe it's because I often want things ordered and tend to lean towards that even in my creative work whether I like it or not -- but I fell for the "forest debris" look. Beads in layers, flowers and bugles tumbling around freely. It does however pose a big challenge for me: how to I keep this look once I start beading, knowing my subconscious urge to order and sort everything in neat groups and lines? This is a mild chaos without any deliberate pattern. Easy to do when mixing and pouring out the beads/sequins on the table, but harder to keep when stitching each piece onto a foundation. One by one they might want to line up neatly instead of lying on top of each other and fight for the same space. Those initial simple designs would be oh so easy to make, but this feels really hard to recreate. 

While the photo/design session didn't result in a fully formed plan or even a sketch, it did give me many ideas about how to use the flower sequins and also some general ideas for other, future embroideries. And of cause it was also fun and relaxing to just play around with the sequins and beads like this. With a camera by the side it's easy to capture different stages of the "play session" for future reference -- and the photos in themselves can become the result, the artwork (especially if they're better quality than mine; bad light sources and quick editing makes for poor photos). Even if I end up doing something way different, I also have these ideas captured in images for me to enjoy.

~*~

That was all from me. Thank you so much for stopping by (perhaps for a second time even as I didn't have my reveal up in time)! I hope you have enjoyed it. Now be sure to visit the other Sequintastic September participants too!


List of Sequintastic September participants

















Blog hop participants without blog share they creations here.



Sequintastic September post delayed






Looking for my post for today's Sequintastic September blog hop? Well, how can I put this... I forgot, or rather got the dates mixed up and I happened to be away today so there hasn't been time to fix it by doing my post last minute. I do hope to have a post up later today (unless I fall asleep first) so please bear with me and if you're hopping I'd really appreciate it if you could take the time and come back later so I can share some sequin love with you. Thanks for understanding that things like this can happen and I'm sorry you came here just to find this note.

Promise you'll soon find some sequin eye candy here!

PS! If you need some sequins to look at right now, please feel free to browse the blog's sequin label for some old posts, including my post for the previous Sequintastic September.

Saturday, 31 August 2013

Challenge of travel: Welcome to Bjäre!




Well, I didn't think I'd be able to make it in time with everything that's happened. However, Uggi (that's our youngest cat, who got very ill last weekend for those of you that don't follow my blog) is recovering fast and it's given me a big burst of energy. Or perhaps rather of happiness and relief, which could be turned into creative energy. So here it, my Challenge of Travel reveal!

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First of all, before I forget, I must thank our hostess, Erin, for this fab challenge! Even when so much else took all my time and energy, I never wanted to give up on this challenge as it was so fun to work on. The 2nd Annual Challenge of Travel, which is themed Staycation, is a blog hop. To find links to all participants' reveals, please check out our hostess reveal post HERE.


This stop on the hop is an hommage to my hembygd (a word that has no direct english equivalent I can think of, but it's the area where you grew up and/or live and feel a connection to, the place where your roots are). I grew up -- and now live -- in a small hamlet located in the middle of Bjäre. A place you can see every time you visit my blog as the blog header features a view from home. Bjäre is a peninsula in the northwestern corner of the southern-most province in Sweden, Skåne (also known by it's latin name Scania) -- a province once called "a piece of the Continent attached to Sweden".




Making a long story short, the province became swedish in 1658 after long having been part of eastern Denmark. Half of Skåne sits on limestone bedrock, which makes it more like the countries of the Continent than of Sweden, which partially explains the quote above. We also have a distinct dialect and our own red-and-yellow flag. I guess we are also known for affluent farmland and the food. There are many regional specialities such as luad ål (smoked eel), äggakaga (a thick panecake-y thing served with lingonberry jam and bacon), skånsk äblakaga (apple pie), spickeskinka (dry-salted and cold smoked ham), kavring (sweet rye bread), mårtensgås (goose dinner on St Martin's day), spiddekaga (can't translate, please see Wikipedia for explanation), rabbemos (mashed rutabaga/swede and potato) etc. An old scanian saying goes "goen mad, möen mad og mad i rättan ti" ("good food, a lot of food and food at the right time").




Bjäre is part of what one scholar dubbed risbygden, a region "between the plough and the forest" ("mellan plogen och skogen") with a variegated nature and a landscape characterized by smallholdings. To the south of Bjäre is a second peninsula, Kullen, which you can see as a blue mountain ridge in the above photo, separated from Bjäre by the Skälderviken bay. Just off the the western Bjäre coast, by Torekov, is the island of Hallands Väderö placed in the sea called Kattegatt (which catlovers might be interested in learning that it is thought to mean "cat hole" or "cat gate" in dutch because it was so narrow it was difficult to navigate through). Like most of the Bjäre coastline, Väderön is a nature reserve.

In the north, you can see the ever present Hallandsåsen ridge and the northern half of Bjäre is characterized by the hilly terrain created by the ridge as it stretches from the inland out towards Hovs Hallar (the place where the knight plays chess with Death in Ingemar Bergman's film The Seventh Seal). The other half is more of a flat terrain spreading towards the sea. The two most famous towns here are the market town of Båstad and the former fishing village of Torekov (known locally as Torke).




I will however not dwell there, both as the places are already wellknown and packed with tourists and as they're too posh for a country girl like me. Well, at least they can be very posh during summer. No, despite interesting things I could tell (the attempted russian invasion of Båstad 1788, the tennis and Mr G, ridiculous upper-class party activities like vaskning, the Torekov compromise that created our current constitution, the first seaside resorts etc etc), I want to focus on the little hamlets and villages around where I live. The real countryside with hamlets, small-scale fields, grazing cows, bronze age burial mounds, small forests, strandängar, trails for ramblers, farm shops, miles of 19th century stone walls, local football fields, potato fields, art exhibits -- and a clog factory (yes, I did forget the golf courses on purpose). And trolls, you can't forget the trolls.

But first, let's place Bjäre and my hamlet of Svenstad on the map.



Click for a close up. Photo taken during spring, which explains this common sight.
 
If you want to check out Bjäre on Google Maps, here's a link to get you started.




The place marked on the first two maps is our hamlet. Svenstad is a very small hamlet, has been since it was depopulated during the danish-swedish wars (over provinces like Skåne) in the 17th century. There is however one name that has made this hamlet a bit better known than most others of its size: world famous opera singer and hovsångerska -- and cat lover -- Birgit Nilsson. Birgit and her husband Bertil were occasionally our neighbours as it was her she grew up on a farm she later inherited.  After her death, the work to turn her family home into a museum started and our road was renamed after her. So one of our nearest neighbours are now the Birgit Nilsson Museum.

For a virtual view of the museum (and Svenstad), you can go to the street view at Google Maps here. A map of and info on the ancient monuments and historical relics -- mounds, stone carvings, culturally important buildings -- can be found on the Fornsök map at The Swedish National Heritage Board (Riksantikvarieämbetet) website. It's in swedish only, though.




Of cause, while this post is turning into a very long one, I still can't tell you all about Bjäre. If you're more interested, there are are few tourist websites for Båstad/Bjäre and Skåne. The official tourist website for Bjäre is Bastad.com and the official one for Skåne is Visit Skåne. Hallands väderö has its own website here while Torekov has a site in swedish here. If you're interested in hiking/rambling, there is a trail throughout the province called Skåneleden, which you can read about here. Apart from it there are several shorter, local trails. On Bjäre, it follows the coastline and there are two paths leading over the Hallandsåsen ridge towards the southern coasst. Upplev Bjäre is another tourist website, but it's in swedish only, but offer translations via Google Translate (in other words: do check it out, but don't expect great translations). The Birgit Nilsson website also have a few tips on this page, including the linen weaving mill in Boarp and Märta Måås-Fjetterström's studio in Båstad.

If you're interested in guided tours or hikes, there are many to be offered (though I'm not sure how many have english-speaking guides). Interested in local produce? So called "farm tourism" is booming at the moment and you can experience everything from farmer's markets and annual events (Day of the potato most notable here on Bjäre) to kosläpp (popular family event when the cows are let out on the pastures after a winter indoors) and culinary food hikes though the landscape. Completed with farm shops, farm cafés and countryside B&Bs. You can even pay for the opportunity to plant/set or harvest potatoes! Love of gardening? For example  Din Trädgård offer no less than four tours of private gardens and nurseries in Northwestern Skåne: Höstrundan ("the autumn tour"), Rosrundan ("the rose tour"), Månskensrundan ("the moonshine tour" visiting lit up gardens on an october evening) and Trädgårdsrundan ("the garden tour"). History and archaeology buff? Local societies like Föreningen Gamla Båstad and Bjäre arkeologivänner sometimes do guided tours in or around Båstad, talking about history and ancient monuments respectively. Naturskyddsföreningen do nature hikes, but I'm not sure if they're for members only or not. The tourist centres can also provide guide books and maps for your own explorations.

Oh, and by the way: Don't forget the artisan fair in Båstad, Hantverksmässan! An annual show during the last weekend of July where you sometimes even find a lampwork bead artist or two, but most of all handmade jewellery and kinds of other art and craft products from artists all over the country.

The most important question, then: are there any bead shops? Well, not exactly on Bjäre, but there are a few craft and bead shops nearby. On Bjäre you can find a craft/embroidery/yarn shop in Båstad and two fabric shops in Förslöv unless I'm mistaken. As for bead shops and craft shops with a bead range, I refer you to my website Svenska Pärlbutiker where you'll find a map of such shops in Sweden. 




For loads of photos of Bjäre -- Svenstad in particular -- please see the landscape photos label on this blog (you might have to scroll through a few pages to find the really good photos...). And for many more photos of the province of Skåne in general -- from the Turning Torso in Malmö to the iconic beech forests and yellow rapefields, from reconstructed viking cottages to the castles of the old nobility, from apple orchards to university buildings  -- please see my Skåne - Scania pinboard:








So from all this, where did I draw inspiration for my creation? For me, most of the things I love about Bjäre and Svenstad revolve around the nature, coastline, agriculture (cows, fields, farms, farmer families) and cultural history. Places like the burial mounds, which are ever present on the peninsula, often with troll legends attached to them , and Drottninghall with its prehistoric stone carvings shrouded in local folklore and overlooking Bjäre, Skälderviken bay and beyond that Kullen. I've written a few posts on local lore, from trolls to princess saints, which you can find here.




For the tourists, Bjäre and places like Torekov, Kattvik, Stora Hult and Båstad are places of summer and sunshine. Picturesque places of vacations. They only see one aspect of the peninsula. I see it and love it around the year. Love the changes in the landscape as summer turns into autumn, autumn turns into winter and winter turns into spring. For me, images like these are just as much my idea of Bjäre as a summer beach. Perhaps even more as that tourist summer thing is so ephemeral. The real Bjäre is easier to see once the tourists have returned home.




Now, this necklace didn't turn out at all like I wanted it to, but still showing it as it was the first idea I got. I wanted to use this hand-dyed silk thread for an autumnal design inspired by the apple orchards in Kattvik (which means "cat bay", by the way) and Båstad. Don't know if more than the one in Kattvik produce apples commercially, the rest are sadly abandoned -- on turned into a golf course. It also echoes of our own apple trees, many of which my dad has grown from seeds.

The bamboo charm is also a nod to our own garden -- I love bamboo and grew up with a couple of plants around the farm.




The second piece is also all about the flora. I chose the teal flower as it reminds me of the gardens, parks and farmland wrapped in mist in the late autumn when not much colour remains as the flowers wilt, but there's still a somewhat melancholic, serene beauty. Dew and mist drifting inland from the cold sea.

UPDATE: Forgot to mention the connection to the seaside park/public gardens of Norrvikens trädgårdar what with the sea-colour flower and beads. Norrviken have had some tough years, but in 2006 it won the award of most beautiful park in Sweden and went on to compete over the title of most beautiful in Europe, ending up in second place.


A small pic of its full length.




Then I struggled to create something with bronze. I have to include bronze as the bronze age is always just above or below the ground level here. But what to do? Not much bronze in my stash right now (had forgotten about a couple of bronze clay components I won ages ago), nothing but some round tags. But then this morning I got an idea and layered them with coloured copper tags on a flexible rubber bangle. Three charms on one bracelet, which might become three bangles with one charm each if I get more of those rubber bracelets.



As everything else is filled with symbolism, this got one too, apart from the bronze age heritage: the modern, sleek style and the colours stand for all our local artists (catlover? Check out the couple Ulla & Gustav Kraitz!). There's an annual konstrunda in Northwestern Skåne, an event where local artists open up their studios for the public, who will go around a route visiting as few or as many artists as they want. All artists are also represented in a collective exhibition in addition to the open studios. Arts represented include painting, graphics, fiber arts, sculpture, silversmithing, glass, photography etc. In 2013 148 artists were represented, at least 20 being in Bjäre as you can see in this map.



This piece isn't actually a challenge piece, it's just a test of my new Pébéo Fantasy paint, but I thought the result looked like one of our beaches on a sunny summer's day so it was a good fit here now that the test coincided with the challenge. The base is a 2x2 cm glass mosaic tile. I'll soon do a post on my first Pébéo experiments, which will include a close-up of this one.



Last but not least, the pièce de résistance. It took me a long while to come up with making this. I wanted to do something related to the stories I told earlier, the local legends and tales about Saint Tora, the stones in Hov, the trolls and Drottninghall. After a lot of thought, it struck me that a gold crown would be a possible common denominator: Tora is often depicted wearing a crown since the legends often portrait her as a princess, some of the stories about Drottninghall involve a queen and the trolls were well known for their treasures, which must've included crowns. Add to that my penchant for bridal crowns and I just had to give it a go.
 
It was a long time since I last made a crown and I'm afraid it shows, just as well as it shows that I just whipped this thing together yesterday, but I hope you still like it a little.

It wasn't my intention, but I discovered that it ended up being the same colours as our provincial flag, red (garnet) and yellow (brass)! Which perhaps was very fitting.



And so we come to the end. I hope you enjoyed my introduction to Bjäre, the place where I grew up and the place where I now once again live. Thank you for stopping by, taking the time to read and/or check out at my challenge creations!

I'm going to wrap up this long, long post the same way I started it:  

Welcome to Bjäre!


Saturday, 3 August 2013

Challenges accepted -- and troubling me...





Ok, so sometimes I sign up for things without thinking. It sounds fun, I want in. I rarely keep in mind that these challenges often equal blog hops, which means that not only am I to produce something on a theme in time for a deadline and blog about it (hard enough when I've felt drained of creativity and energy), but I also have to make time to visit other participants and comment on their creations. And this time I've managed to sign up for three challenges with reveal dates 31 aug, 18 sept and 28 sept. (1 sept is, by the way, the date I'll resume blogging daily on my other blog again.)

First up is the 2nd Annual Challenge of Travel, hosted by Erin of Treasures Found, which has You Are Here as the theme this time. You can still sign up for this challenge here.




The second challenge, which I signed up for first, is the Creating with Cabochons Challenge by Sally of The Studio Sublime. Sign ups are closed so if you really, really wanted to participate you'll have to cross your fingers and ask the hostess if you can sign up late.




And last but not least I had to sign up for another Sequintastic September blog hop, hosted by Sarah of Saturday Sequins. You still have ample of time to sign up for this one, aug 24 being the last day I think.




Now, I have some ideas for the cabochon challenge and with the travel challenge, which will be revealed in three weeks, I've thought about some things I want to incorporate, but have no real ideas for the jewellery or accessory I want to reveal. As for the sequin hop, it was such a recent and spontaneous sign up that I haven't even begun to think about it at all. If nothing else it's better to focus on the earliest reveal first.

Right now looking at the three commitments, I just feel like my mind is blank, really. I hope to have something fun and inspiring to show on the reveal dates, but most of all I hope, hope I won't feel all overwhelmed by all the blog hopping (which is sadly the reason I'm hesitating to sign up for e.g. BSBPs in the future, even though I love the great gettogether that it is, the international swapping/gifting and the huge amoung of inspirational creations you get to see).

Saturday, 27 April 2013

Bead Soup Blog Party 3rd Reveal





And so it's finally here, the third BSBP reveal. I signed up for BSBP again, not having joined for for a couple of rounds. Of cause that had made me very keen to participate again and I signed up -- completely forgetting that the dates could be in the middle of spring farming season. Oops! Of cause I couldn't know that the spring farming would start unusually late this year, but as luck would have it (for me), the reveal was postponed a couple of weeks so here I am, free from the potatoes and ready to show what I made with the lovely soup I got from my BSBP partner Noemi.

First, let's take a look on that spanish soup Noemi cooked up for me to work with.




You can read more about all the different ingredients here. It was a fab soup, but due to work, a workroom I couldn't work in (= no metalwork or techniques requiring a torch this time) and everything else that came in between, I still had my struggles with it. Mostly with getting ready in time with something I wouldn't be embarrassed to show anyone and that would make Noemi's soup justice. In the end, I ended up with four piece to show you today. Haven't yet used all the beads from the soup so there might be some "leftover posts" later.
 


First a quick (and hopefully enticing) sampler of what's to come below.






First up is the necklace made for the lampwork focal. I had matching fire-polished rondelles, but they were pretty tiny (as are most my beads, being used to working with dainty jewellery and seed beads) and there were only 30 of them. After going back and forth many times, I finally decided on just stringing them with dark green silk cord (in lieu of anything matching the chain) on a gunmetal chain.




Looking back at it, I should've added something to the last portion of the chain. Ran out of rondelles, but adding, say, some gunmetal beads would've looked better than just leaving it bare in the neck. Well, something to remember for next time, then.
 
And look at that wire wrapping -- you can tell I've almost only been seedbeading and embroidering these last couple or years!




For the next piece, I wanted to do something with the sweet little copper connectors and clasp, which are made by Noemi herself. Wanted to keep it simple in order not to overpower the connectors and this is what was finally settled on. Not the best chain to use -- if you want to try something similar, I'd suggest a small rolo/belcher or cable chain -- but the only one I had that matched the copper. As it was slightly boring with just the chain, I wrapped some dusky dark purple anchor embroidery floss around the links. Don't know if it made it better or worse! *lol* I do enjoy embroidery so threads and floss is something I like to add to my jewellery nowadays.

The chain was so uncooperative I almost gave up, thinking of turning the connectors into little charms with a bead dangle in one end (it would've included a maneki neko charm, sorry all catlovers who didn't get any cat jewellery here). But I persevered.




Third piece is a silk wrap bracelet. First I thought of altering the ribbon in some way, either embroidering it, smocking it or adding a beaded edge, but in the end it all came down to my wanting to try an idea. Now, I'll say right away that it's an idea that maybe looks nice, but wasn't as practical as intended.




The idea was to lose the clasp and use the rubber o-rings to tighten the ribbon ends, then tucking them under the ribbon as with other wrap bracelets. But the wrap part made it more cumbersome than practical -- next time I'll try it with a simple bracelet that doesn't wrap around the wrist several times. (Also, the focal was supposed to be black to match the o-rings, but I hadn't time to blacken it. Some of you might prefer the antique bronze colour it has now, though.)




And so, the fourth and last piece. I wanted to use those vibrantly coloured crackle beads, but couldn't think of anything fun to do with them last minute (made it yesterday). Ideally I wanted to keep them mixed with the fw pearls in the colour combo Noemi created, but some of my teal supplies kept trying to get my attention, wanting to play with the purple beads. Finally, I caved and created this simple leather necklace with beads dangling from waxed linen cord attached to the leather using lark's head knots.





That's all, folks! My creations for this year's edition of BSBP. Now be sure to visit my BSBP partner Noemi, who had this eclectic (and somewhat boringly coloured) soup to work with:




And of cause a huge thank you to Lori for hosting this great (in fabulousness and size) event once again! You're fab!

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For a complete list of all participants in the 3rd reveal of the Bead Soup Blog Party, please visit Lori's blog here. As Lori makes her way through the blogs, she will replace the links with direct links to the reveal posts, making it easier for us who will take a long time going through all 200+ blogs in this reveal. 

You will also be able to find many of the creations from all three of the reveal on the official 7th BSBP pinboard at Pinterest.



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